“From the tantalizing title to its closing line, ‘Love Me Like A Murder Scene’ immediately got my attention and kept it. The poet uses crime scene homicide metaphors with a creepy brilliance that captures the obsessive nature of intense passion. I hope to see more from this writer in the future.” -Karen Petersen
My poem “Love Me Like A Murder Scene” is being featured as the poem of the week at The Five-Two. Check it out here!
“Do I behold these steep and lofty cliffs / That on a wild secluded scene impress / Thoughts of more deep seclusion; and connect / The landscape with the quiet of the sky.” -Wordsworth, “Lines Written A Few Miles Above Tintern Abbey”
“Decidedly, I’m a better landscape gardener than a novelist,” Edith Wharton once declared. Indeed, Wharton, whose birthday we celebrate today, was as much a designer and tastemaker during her life as she was a writer. In fact, her first published book, The Decoration of Houses, was a design manual, and so many of her novels glow with beautiful descriptions of design, atmosphere, and costume that could only have come from a knowledgeable hand.
Wharton built her estate, The Mount, in 1902, and if you ask us, its rolling green gardens certainly do her claim justice. So, to celebrate the 150th anniversary of her birth, we’ve collected fifteen gorgeous authors’ homes and estates — though none, perhaps, are as gorgeous as hers. Click through to check out our list, and let us know if we’ve missed any of your own favorite writers’ homes in the comments.
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Happy National Poetry Month! This means it’s time for NaPoWriMo! Will you be writing a poem each day this month? I will be challenging myself to write at least two everyday. To kick things off, I wanted to share my first poem of the month with you. The piece below was inspired by the photograph I took at the Carnegie Museum of Art in Pittsburgh. After doing a little research I discovered the sculpture is a replica cast of the Winged Victory of Samothrace, a marble sculpture created in the 2nd century BC of the Greek goddess Nike. The real deal can be found at the Louvre. Needless to say my new goal is to get myself to Paris and see the original sculpture that has inspired me. Check out my poem “Goodbye Halo” below, and happy poetry writing to you!
She is not the first angel
to plummet from sky to earth,
to crawl her freezing, broken form
over to the underground fire
he burns at night,
but she is the first
he has fallen in love with.
She is victory,
keeping her sins hidden
between feathered wings
because somewhere between
darkness and a battle above
the clouds, she unraveled
and the light, the sun, the day
all became too much.
Go ahead and fall, angel,
the devil will greet you
and say, “hello pet,
hello my headless snake
who is still my favorite,
who is still my most deadly.”
Fear the light, angel
and dig crosses sharpened
to points into the flesh
of your neck, leave jagged
wounds as you detach
your face, your head,
and say goodbye heaven,
To celebrate World Poetry Day, I’ve written a short poem below. In the meantime, check out this great site to read some wonderful “poems on poems.”
by Sara J. Tantlinger
I remember the fable of your veins
and how your bleeding wrists tasted
like a burnt book across my tongue.
We were nameless bodies curved
inside bent pages, keeping love hidden
between an old spine as we inhaled
ink into our hearts like black oxygen.
Spiders scurried across the dust of bones
and left cobwebs inside our eyes, but we
knew addiction would flavor our choice
to crack open skin and read scarlet stories
that swam beneath our underwritten flesh.
We’ve all heard the mantra “write what you know” on repeat, and probably from various sources too. It’s great advice, and true, but only to a point.
As a writer of speculative fiction, horror in particular, writing what I know can get a bit tricky. I have neither killed anyone nor have I been, well, murdered, but that’s OK because I am a fiction writer and I have this fabulous thing called an imagination. If my protagonist is killing another character, whether it be for the sake of revenge or just for the fun of it, I imagine my character is filled with adrenaline. That thought then allows me to draw parallels between something I can relate to (an adrenaline rush), and something unfamiliar. Remember that writing about what you don’t know, does not mean you can’t use your own experiences. In fact, your own experiences allow for the addition of realism to what you are writing.
I think about the favorite concerts I’ve attended. The adrenaline in a crowded room where the people are there for the same purpose, the same enthusiasm to hear the music, that excitement mixed with the cheering and screaming of the crowd is infectious. You are part of a moment where heart thuds and the lights flash as the band starts playing that song you love.
I take a moment like that, use those images and emotions, put my character on the stage and imagine they are looking out over the audience, feeling all those things, murdering their victim to the sound of a cheering audience, and it becomes what I know and what I don’t know blended together.
Clearly an adrenaline-filled moment can be applicable to moments outside of, uhm, murder, but that’s my example because well, horror writer. Sorry. (Not really).
Writing in different genres than you’re used to is one way to get started. It needn’t be such a switch as going from a gory piece of horror work to straight up romance (but hey give it a shot, anyway! You’ll likely learn some useful angles to write about love interests). You can always take smaller steps, too. For example, trade in a supernatural suspense for a crime thriller, or if you typically don’t use any mythological elements maybe try out magical realism and see where it takes you, or take your mystery tale that happens in a mansion and put it in a western instead. There are many literary genres to play around with, so take some time and explore things outside of your comfort zone.
Genre is a fun way to explore the unknown, but what about the characters and settings? Take a look at your characters, time periods, and locations. Are there a lot of consistencies between your various works?
I’m definitely not saying that’s a bad thing if there are. I get stuck in my Victorian Gothic ways when it comes to short stories, and it takes me months to leave my tropes behind (I love them so), but it is refreshing to embrace something new.
If you are always writing about times long past, try throwing your characters into a modern setting (and vice versa). How about your plots? Do you follow your own formula for every work, or take some twists and turns along the way to really make each work stand out? Do your endings always bring about a closed ending or an ambiguous one? Mix it up!
If your characters, whether they be protagonists or antagonists, seems startlingly similar in your works, do something different with their age, sex, race, background stories, or even their point of view. We live in a world of infinite voices and people. Our stories are allowed to reflect that diversity, even if it may seem uncomfortable at first for us to write about a culture outside of our own.
Research, interviews, documentaries, movies, and exploring the world around you are all ways to delve into the unknown, stir your imagination, and propel your writing to new heights. While details are important when it comes to writing about something you’ve researched rather than experienced firsthand, try not to get overly hung up on that idea. Write with the authority and confidence you would if you were writing about an experience you knew intimately. Also, if you can find a beta reader that does have whatever experience you are writing about, buy them lunch and get their perspective!
Writing what you do know will always be important. It gives you a solid basis to build up from, and allows you to teach your readers about the details of an experience. As writers, though, we have signed up to be a part of a lifelong learning process. This is a craft where there is always room for improvement, and observing the world, listening to the countless voices and stories around us, are ways we can put ourselves into new situations and strengthen our writing.
We are forever students, delving into the unknown and thus making it known. Write for yourself, but don’t be afraid to write for others either. Write with realism and respect.
Overall, you are a writer and you should tell whatever story you want, no matter what. However, keep in mind the world is vast and while you probably will have a target audience to market your works to, remember that does not have to stay fixed. You are allowed (and encouraged) to step outside your comfort zone, listen to the world around you, delve into the unknown, take the chance, challenge yourself, and write about what you don’t (initially) know about.